The Brutish Museums

My book The Brutish Museums: the Benin Bronzes, Colonial Violence and Cultural Restitution was published with Pluto Press in November 2020, and has been described as ‘the book that changed the conversation about museums’.

The Brutish Museums was named one of the New York Times List Best Art Books of 2020 and won the 2022 prize for the Best Book in Public History of the National Council on Public History, and was joint winner of the 2021 Elliott P Skinner Book Prize of the Association for Africanist Anthropology.

The book was also shortlisted for the 2021 Bread and Roses Award for Radical Publishing

The novelist Ben Okri wrote of The Brutish Museums that ‘it is with books like this that cultures are saved’.

 

“for those who still bear the weight of these colonial legacies today, Hicks’ urgent, lucid, and brilliantly enraged book feels like a long-awaited treatise on justice”

Coco Fusco in the New York Review of Books

 

“destined to become an essential text”

Bryan Appleyard, The Sunday Times

“should be on every museum professional’s shelf”

Museums Journal

“if you care about museums and the world, read this book”

The New York Times

The Brutish Museums is a landmark cultural moment”

BBC History Magazine


“A startling act of conscience. An important book which could overturn what people have felt about British history, empire, civilisation, Africa, and African art. It is with books like this that cultures are saved, by beginning truthfully to face the suppressed and brutal past. You will never see many European museums in the same way again. Books like this give one hope that a new future is possible.’

Ben Okri OBE

“a beautifully written, carefully argued book”

Charlotte Lydia Riley, The Guardian

“you shall know the truth”

MC Hammer

“it’s difficult to argue that he is wrong”

Richard Morrison, The Times


“leaves no stone unturned”

The Financial Times

 

The Brutish Museums helps readers gain a clearer picture of European museums with “colonial blood” on their hands

Rolling Stone


”fastidiously chronicling and contextualizing the plundering of the Benin Bronzes as well as their subsequent dispersal”

Hyperallergic

“a forceful case for restitution”

Fisun Guner in Elephant Magazine

“a bombshell book”

The LA Times

 

“an epiphanic book”

Victor Ehikhamenor 

“timely”

Nature

“important”

The Evening Standard

“masterful”

The Los Angeles Review of Books

“unsparing”

CNN

“tendentious”

The Spectator

“An unflinching look at the enduring myths around looted objects in European museums. Elegantly written, thought-provoking and passionately argued, The Brutish Museums is a call to action.”

Professor Bénédicte Savoy

Praise for earlier books and curatorial projects

 

“A Powerful Record of Resilience”

Socialist Review - June 2019

 

“Human stories told through objects created, used and discarded”

The Guardian - May 2019

“Political cruelty, kindness, and the indomitable human spirit”

The Economist - May 2019

 

“A project that provokes a reconsideration of the function of museums altogether”

Frieze Magazine - October 2019

 

“A people’s curatorial endeavour—community art history & social history as told by visitors from across cultures and geographies; a collision of endlessly stimulating thoughts and pictures”

Art Newspaper -  July 2020